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Outcomes - What do you want your students
to learn? |
Outcomes are the skills, knowledge, and affective understanding
you want your students to learn and experience during the course
of music preparation. While the task of writing clear outcomes can
be difficult at times, the process of defining your final musical
goals will focus your teaching and create more effective and efficient
rehearsals. Remember these characteristics of quality outcomes:
they are interesting, students learn something meaningful as opposed
to trivial or obvious, and they are often integral to performing
the music well. In order to define your outcomes, start by asking
yourself these questions:
Skill Outcomes – What will students
learn about technical facility and performing skills, such as vocal
technique, spiccato bowing, double tonguing, playing chromatic scales
quickly, and singing long lines in tune?
Knowledge Outcomes – What historical
and theoretical ideas will students discover as they study the music?
Affective Outcomes – What internal
and subjective aspects of students’ musical experiences –
attitudes, values, desires, commitments, and tastes – will
you focus on while teaching this piece?
Of the three types of outcomes, formulating affective outcomes
can be a challenge. Consider some of these terms when creating affective
outcomes:
Appreciate
Articulate opinions about
Be inspired by
Be motivated to
Be open to
Be sensitive to
Be thoughtful about
Be willing to explore
Develop a personal philosophy
Express feelings about
Make a commitment to
Perceive
Prioritize
Question what you believe
Respond to
Show awareness of
Value
Planning outcomes is similar to planning a vacation. You have to
know your final destination before you can get there. Without well-conceived
outcomes, the teaching experience can be random and unstructured.
Therefore, planning outcomes is a necessity. Continue to ask yourself
“Why do students need to know this?” and “What
is it you really want your student to know and be able to do?”
For further information, visit Chapter 2 from Shaping
Sound Musicians.
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